Jan van Eden
18th November 2023 - 28
January 2024
"80 year historic cycle"
My birth
in 1942 was the year that Russia invaded Ukraine on its way to Berlin
and the 2022 invasion woke me up to the idea of the 80 year cycle
with 20 year turnings as in the “Fourth Turning” of Strauss-Howe.
1945 - 1965
HIGH My first turning started in 1945 with the liberation and peace after
WW2. It was an upbeat period of rebuilding Europe, rock and roll, space
program and the making of the Dutch welfare state. My carefree youth.
1965 – 1984 AWAKENING
Martin Luther King in the US, worldwide protests Vietnam war, decolonisation
of Africa and Asia. Rolling Stones, sexual liberation. Marriage with Pepa
Santolaria in 1969 in Kalulushi (Zambia).
1985 - 2008
UNRAVELLING Industrial disputes, Berlin wall, dissolution of Sovjet Union,
911, Afghanistan. Cuban intervention in Angola resulting in the end of
Apartheid in South Africa. We settle in Amsteredam. Ending with financial
crisis.
2008 – 2028
CRISIS Growing inequality, housing, climate, pandemic, inflation, wars
between great powers and nuclear threat. Death of Pepa in 2015. Birth of
artist generation Z , destined to fix and repair the world in the next
turning.
Raising the Hammer and Sickle over the Reichstag in
Berlin, 2d May 1945
Oil and crayon on cotton, 2022, 120x180 cm, ref 222002
Children hiding from
bombing by German planes 1941-1942,
1916, Oil on linen, 60x83x5 cm, ref. 163407
Based on photos from Russian
Photographer
L.I. Konov,
Children
watch as their neighborhood is bombed in Minsk,
Belorussia.
The bombing was part of Operation Barbarossa. June, 1941.
Contra el Feixisme -
1939, 2022, oil on cotton, 30x30x5 cm, ref. 223402
After a poster of the UCT and PSU of the
Spanish civil war 1939
Triple Devana, 2223, Oil and crayon on
cotton, 120x180 cm
Ref. 232001
Nakba 1948 - If still alive she would be 80years
old,
Oil and acrylic on linen,
40x50x3 cm, ref 233402
Al-Nakba
In 1948, three-quarters of a million Palestinians were forced to leave their
land and country; Jewish settlers had managed to assemble a fighting force
that used fear and superior military power to expel them from their cities,
towns, and villages. By the end of the war, over four hundred villages and
towns were destroyed and depopulated and 13.000 people killed. The new state
of Israel now controlled about 77 percent of the land area of Mandate
Palestine, which had been depopulated of about 90 percent of its indigenous
Arab population. After this massive uprooting and the dismemberment and
de-Arabization of Palestine, it is no surprise that the Palestinians refer
to the events of 1947-48 as the Nakba - the Catastrophe in Arabic.
All your armies,
2017, Olmec Photo Paper 67R24 matt, 59 x 78,67 cm,
Ref. 177002
Urban rebel, 2022, Oil and acrylic on cotton,
200x150 cm,
Ref. 222001
The urge to destroy, 2023,
Ink on paper, 50x65 cm
Ref. 235004
Le radeau de la Meduse-Gericault 1819, Ink en collage on paper,
50x65 cm,
Ref. 235001
Le
radeau de la Meduse – Gericault 1819
The painting
of Théodore Géricault is
based on the infamous shipwreck of the French frigate Méduse in July 1816 in
the Atlantic Ocean just off the west coast of Africa. The tragic news story
of the sinking of a boat tinged with rumors of cannibalism inspired
Géricault for the famous painting The Raft of the Medusa. In order to
be as close as possible to the truth, he obtained a model of the raft from a
survivor and even went so far as to copy from nature the limbs of corpses at
the Beaujon Hospital in Paris. On August 25, 1819, the painting measuring
5x7,5 meters, was presented at the Salon in Paris under the title
Shipwreck Scene where it aroused much resistance as the work was seen as
a political indictment. In London its exhibition attracted a paying public
of some 50 000 persons. He died from the consequences of a fall from a horse
in 1824. Despite a very short career, Géricault would influence subsequent
generations and particularly the young Delacroix.
Eyes on Africa, 2023, Acrylic
on printer images on Olmec paper, 180x120 cm
Ref. 232201
Nelson Mandela considered Moammar
Gaddafi as hls brother in arms and recognized the decisive contributions of
Libyan funds and training of the South African liberation movement the ANC.
Mandela visited Gaddafi after his release and under severe criticism from
the USA during a time that Libya was under an air and arms embargo by the
UN. The picture of a communication satellite reminds us of the Libyan
initiative to put the first African-owned Satellite into orbit, bypassing
the European space agencies. In the background green circles of the
irrigation schemes that were generated by the Libyan government in the
largely desert country. Superimposed a cutting from the UK newspaperThe
Guardian showing the official statistics of the NATO war-effort in 2011,
destroying the "Switzerland" of Africa. The advanced plan for an African
development bank and the African Dinar became fatal for Libya. Winnie
Madikizela-Mandela (1936-2018), South African anti-apartheid activist and
the second wife of Nelson Mandela. The ANC leadership, to clear the path to
power, issued Nelson Mandela an ultimatum: 'Winnie or the presidency'.
Winnie went as far as describing Mandela as a sellout and the Truth and
Reconciliation Commission as a sham acting on behalf of Stratcom (an agency
to create false narratives against political enemies setup by the CIA).
Chris Hani (1942 - 10 April 1993) from 1967 Political Commissionar in the
Zimbabwe People's Revolutionary Army operating out of Zambia. And later head
of the armed wing of the ANC and popular communist leader, assassinated on
the eve of the first democratie elections in South Africa. Stephen Bantu
Biko (1946 - 1977) was a South African anti-apartheid activist, but opposed
anti-white racism. Idealogically a socialist, died in police detention in
1977.
Chris
Hani – text 1, 2021, HP Designjet print and ink on paper, 50x65
cm,
Ref. 215001
Chris Hani (1942-1993)
Hani was born
in the Transkei in 1942 as the fifth in a family of six children. At the age
of 15 he joined the African National Congress Youth League and studied
modern and classical literature at the University of Fort Hare.
In 1961
he was charged under the South African Suppression of Communism Act
and held in jail. In 1963, while out on bail pending an appeal, Hani went
underground on the advice of the ANC leadership. Hani left South Africa in
1963 for the Soviet Union, and returned in 1967 to Zambia from where he took
an active role in the Rhodesian bush war, acting as a Political Commissar in
the Zimbabwe People's Revolutionary Army.
[ In
the same year 1967, I started my first foreign assignment as a geologist in
Zambia. There I had contacts with South African refugees, naturally I was
more intimately interested in the girls and I had no idea of their
activities in Rhodesia]
In
1974 Hani re-entered South Africa to establish an underground infrastructure
for the African National Congres in the Western Cape. By 1982, Hani had
become prominent enough in the ANC to be the focus of several assassination
attempts.
After the unbanning of ANC and SACP (South African Communist Party) on 2
February 1990 Hani returned to South Africa and became a charismatic and
popular speaker in townships. Hani campaigned for the SACP , seeking
to redefine its place as a national political party. It was soon doing well
- better than the ANC in fact – especially amongst the young who had no real
experiences of the pre-Apartheid era and no commitment to the democratic
ideals of the more moderate Mandela.
Hani was described as charming, passionate
and charismatic, and soon attracted a cult-like following. Hani's SACP would
have proved a serious match for the ANC in the 1994 elections. On 10 April
1993, Hani was assassinated by an anti-Communist Polish refugee and
strangely a theory based largely on documents given to the Mail & Guardian
point to a conspiracy linking the assassination to the ANC.
Fellini's Roma, starring Fiona Florence, 2009,
Oil on cotton, 20x30x5 cm,
Ref.093430
Fiona
Florence, 2022, Acrylic on cotton, 30x30x4,4 cm (frame 45x45 cm),
Ref.223404
Early work from 1960 -
1985
Paintings 1985-2000
Paintings
2000-recent
Drawings
Photography
Photocollages
Selection of
exhibitions
Palestina
Jan van Eden - Exhibitions
Short
CV - 2011
Biographical
Fundacion van Eden - Santolaria (Sabayes, Spain)